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Harlequin Gallery

 


Beverley Isaacs
 
Mexican Adventure – Paintings

1st to 23rd December 2005

Below are images of some of the gouaches on hand-made Mexican paper currently available.

 


Donkeys.
Maximum image size: 28.6 by 31.75cm (11.25” by 12.5”)
Framed: 50.2 by 50.2cm (19.75 by 19.75”)


Copper Engraver.
Maximum image size: 12.7 by 14.0cm (5.0” by 5.5”)
Framed: 21.6 by 21.6cm (8.5” by 8.5”)
SOLD


Coming Home - Patzcuaro.
Maximum image size: 13.5 by 28cm (5.3” by 11.0”)
Framed size: 24.1 by 35.6cm (9.5” by 14.0”)

 


Backyard Oaxaca.
Maximum image size: 15.0 by 26.0cm (5.9” by 10.2”)
Framed: 21.6 by 33.0cm (8.5” by 13.0”)

 


Chamula.
Maximum image size: 17.0 by 20.0cm (6.7” by 7.9”)
Framed size: 21.6 by 21.6cm (8.5” by 8.5”)


Oaxaca Weavers.
Framed size: 21.6 by 21.6cm (8.5” by 8.5”)


Monte Alban ruins.
Framed size: 24.8 by 50.2cm ( 9.75” by 19.75”)
SOLD

 
Born in the swinging 60’s in London into a family established in the fashion industry, Beverley left school at the age 16 but continued her studies at Southgate Technical College, where she gained a qualification in Window Display.


During this time she became very interested in art and, after a period working as a Draughtswoman making signs for West End Theatres, she wrote and illustrated four children’s picture books. This led her to further studies at Camberwell College of Arts and later a postgraduate course in Animation at Central St. Martins.  Whilst at Camberwell she made three short animation films, two of which were funded by ‘The Royal Society of Arts’ and another by the ‘Worldwide Fund for Nature’. These were exhibited at the Design Museum in London and subsequently broadcast on Cable TV.


In October 2004 Beverley made her first expedition to Mexico, in order to research the fascinating celebrations about ‘The Day of the Dead’.  During this period she visited remote indigenous villages around the Chiappas and Oaxaca region, whereby she came across a small factory run by Indians producing handmade paper from original ancient Mayan recipes, and painted the local Indian peasants in their everyday lives on this very paper. The dyes used in the paper, also reflect the bright hues of their country, and therefore she allowed this to become a part of the painting.

 

A return visit to Mexico was made this summer and the work resulting from these trips makes up the showcase of work available at the Harlequin Gallery.

 

 

 


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