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Harlequin Gallery



Douglas Fitch

Examples of Doug’s slipware included in the April 2008 exhibition that are still available as of 18th April.

 


No. 128 Large Lidded Jar.
Height: 31.5cm (12.4”)
Price: £180


No. 114 Tankard.
Height: 18.8cm (7.4”)
Price: £45


No.111 Single Money Box.
Height: 15.5cm (6.1”)
Price:
SOLD


No. 118 Dark 5.5lb Jug.
Height: 23.9cm (9.4”)
Price: £90
 



No.124 Tall Straight Sided Jug.
Height: 28.4cm (11.2”)
Price: £130


No.133 Large Bowl.
Height: 9.4cm (3.7”)
Diameter: 33.0cm (13.0”)
Price: £140


No.125 Triple Money Box.
Height: 33.0cm (13.0”)
Price: £235



I am pleased to welcome Douglas Fitch to the Harlequin with the best of his wood-fired earthenware from a number of firings he has had since last August.

 

  I suspect Doug’s name is unfamiliar to some of you but he has been potting for the best part of 25 years. However, it is only recently that it has become his full time occupation, after working for a number of years as Technical Manager in the Faculty of Arts, University of Plymouth. It was in the early 1980s that he studied pottery at the Derbyshire College of Higher Education at the same time as Nic Collins. There they were mates and this friendship has been renewed since Doug moved to Devon in 1990. Besides making pots at Nic’s before opening his own pottery, Doug has been an important member of the kiln firing team for Svend Bayer, Clive Bowen as well as Nic over the years and he cites them alongside Michael Cardew as potters who have inspired him.

 

  Doug makes country pots not only because he wants to use a wood-fired kiln but also “because the countryside is an intrinsic element within the fabric of my work. At Hollyford Pottery, all the senses are stirred by the natural environment and the changing of the seasons”.

 

  His pots made from a blend of local earthenwares, such as Fremington clay and a gritty brick clay from Exeter, are most certainly unfussy with no attempt at what he calls “prettiness”. He goes on to say, “I strive to capture the tones and textures of the countryside in my pots, choosing a basic palette of earth colours from the naturally occurring minerals of the rural environment.”

 

  I understand that Doug was the “star” of the “Celebration of Slipware – contemporary potters in earthenware” exhibition held in Winchcombe last autumn despite the presence of better-known names. Therefore I am looking forward to seeing the selection that Doug has chosen for the Harlequin, as he seems very pleased with what has been coming out of his kiln of late.

 

 

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