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Harlequin Gallery

 

 

Graham Ellerby

Examples of work included in the October 2007 Harlequin Gallery exhibition. 

 

 
 No.10 - Thin necked Bottle form.
Height: 28.0cm (11.0”)
Price:
SOLD


No. 13 - Bottle with pressed shoulders.
Height: 21.0cm (8.25”)
Price:
SOLD
 
 
 


No. 19 - Jar with lug handles.
Height: 18.0 cm (7.1”)
Price: £90


 No.16 – Tall jar with lug handles.
Height: 25.0cm (9.8”)
Price: £110


No.15 – Oval bottle.
Height: 23.0cm (9.1”)
Price:
SOLD

 

 


No.21 – Lidded pot with lugs.
Height: 12.0cm (4.75”)
Price:
SOLD

Graham Ellerby graduated from Farnham in the days of Henry Hammond and both Henry and the Canadian potter John Reeve, who worked at the Leach Pottery and taught at Farnham during Graham’s time, have been important influences.  Graham’s work also shows his admiration of Japanese Iga ware, English Mediaeval and traditional Mediterranean ceramics.

 

  Having previously taught ceramics and art as a full time career in the Surrey area, Graham currently runs master-classes in throwing; holds demonstrations; lectures to further inspire potters and even “performs” at corporate events!  This change has resulted in Graham being able to give a full-time commitment to ceramics, resulting in greater experimentation and development which feature in this exhibition, his third at the Harlequin Gallery.

 
  Fire and clay are cornerstones of his work and he derives equal pleasure from harnessing both, always considering the making, packing and firing as equal components of the creative process.  Along with Katerina Evangelidou, Graham builds and designs his own kilns which they both use. All of the pots in this exhibition come from the first three firings of Graham’s new kiln that he calls Birbilo (a name derived from a Greek folk story having to do with the multiple layers of clothes which Graham and Katerina needed to overcome the bitter cold whilst building the kiln.).  Birbilo can best be described as a
three metre long cross draft wood firing kiln in the form an elevated half barrel with the firebox within the chamber.


  Graham constantly seeks to amalgamate the fluidity of the clay with the potency of the fire; he explores the infinite variations of fly ash and the salt upon the form. Graham has continued experimenting with “tumble stacking” his pots in the kiln; many of these pots are fired on their side to get the maximum effects of fly ash and the small amount of salt added at the end of the firing process.  All Graham’s pots are reduce-fired to a temperature of 1300°C over a period of about 14 hours. Then the kiln is reduce-cooled by filling the firebox with wet logs and allowed to cool naturally for two days before opening.

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