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Harlequin Gallery |
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9th February to
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The first exhibition
of 2003 spotlights the work of two wood-firing potters, both Fellows of the
Craft Potters Association, who are making their second visits to the
Harlequin Gallery. Alphabetically,
the first of these is Ian Gregory with a departure from the work that has
become his trademark. After giving up his singing and acting careers back
when televisions were black and white and singles were 45rpm, Ian has built
his reputation on figurative sculpture in salt glaze and raku. However, this
exhibition will be something completely different, comprising solely of Ian's
vessels that have resulted from his interest and expertise in modern kiln
technology. The kiln used was built of fibre and paper clay and gives similar
effects to an anagama kiln with less effort. Ian estimates that the kiln uses
about a quarter of the wood needed for a conventional brick built kiln due to
its heat retaining properties. This is not only economical and kinder to the
environment but also means that there is considerably less stoking over the
3-day firing period. Mark
Griffiths, who had a solo exhibition at the Harlequin in 1997, was
apprenticed to a traditional working potter before setting up his own
workshop in
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Click Previous to see |
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