info@studio-pots.com
 

 

Harlequin Gallery


Nancy Fuller

 


Examples of the anagama-fired pots that Nancy made during her time in Shigaraki that will be included in the Harlequin Gallery exhibition that begins on Sunday 11th May 2008.

 


A. Large coiled Tsubo – made from clay dug from Hata and Amagatani white Gairome clay 2007.
 Height: 48cm (18.9”)
Max. Width: 40cm (15.75”)
Price:
SOLD




L. Iga style Flower Vase – made from Kinose clay blend 2006.
Height: 27cm (10.6”)
Width: 13cm (5.1”)
Price:
SOLD


K. Coiled Tabimakura – made from Kinose clay blend 2006.
Height: 20cm (7.9”)
Width: 11cm (4.3”)
Price: £260

 



H. Uzukumaru Vase – made from Kinose and Sangoyama clay blend 2007.
Height: 14cm (5.5”)
Width: 12cm (4.7”)
Price:
SOLD


D. Kame – made using clays dug near the Nakazatogama Studio.
Height: 40cm (15.75”)
Width: 39cm (15.4”)
Price: £750


G. Tsubo - made using clays dug near the Nakazatogama Studio.
Height: 36cm (14.2”)
Width: 34cm (13.4”)
Price: £450


Nancy Fuller is Taiwanese by birth but was raised in Scotland and had originally trained as a printmaker before discovering wood-fired ceramics when she returned to Taiwan 7 years ago. After preliminary studies she underwent a month-long residency at the Shigaraki Ceramic Cultural Park in Japan with the support of the Craft Pottery Charitable Trust. However, she then took the unusual step of seeking a Shigaraki anagama master to study under and was fortunate to be introduced to Shigeji Suzuki. A year later, with support from the Great Britain Sasakawa Foundation, she embarked on her training with Suzuki-san that saw her immerse herself in the language, culture and environment of this ancient pottery producing region.

Now back in Scotland she is hoping to build an anagama kiln in the not too distant future to start producing work here but in the meantime this exhibition will show the pots that Nancy brought back with her from Shigaraki, where under the tutelage of Shigeji Suzuki she gained a true insight into the aesthetics of a centuries old ceramic tradition.

 

 

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