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Harlequin Gallery


Patrick Sargent

The Lost Anagama - 1956 to 1998

Unfortunately there is currently no work by Patrick available.


Bottle vase.
Height:
32.3 cm (12.7 inches)
SOLD

 

Patrick Sargent was a special talent, although I have to admit that when I first saw his work I wasn't immediately impressed. Nonetheless over the years he was able to change my views and was undoubtedly a significant influence on many potters working today.

Born in Northampton England, Patrick studied wood firing at West Surrey College of Art and Design, Farnham from 1977 to 1980 under Paul Barron and Henry Hammond. There he gained a First Class Honours degree and Paul Barron was to famously say that Patrick would be "one of the last out of Farnham to make pots like this".

After establishing two workshops in England, Patrick travelled and worked in Germany, France and Switzerland for two years from 1986 before settling down in Switzerland. There he continued to live and work until his death, exhibiting both here and on the continent, including a solo exhibition at Contemporary Ceramics and two at the Harlequin Gallery (in 1994 and 1996).

For Patrick's last exhibition at the Harlequin Gallery in 1996 he supplied a statement, which I feel is worth repeating here. "Most days I take an early morning walk in the forest. It is just one part of my way of being. I like it when my pots give me the same feeling as that forest walk. I certainly seek to capture qualities of directness, freedom and rhythm that I only find in nature. Neither the pot nor the forest walk is the final statement, merely a small part of a long road."

Sadly, the "road" was not anywhere near as long as it should have been but we do have the legacy of Patrick's pots to continue to cherish and enjoy.

Unfortunately because Patrick didn’t mark his work, pots that he didn’t make have been sold as being by him in the past even when the work in question wasn’t wood-fired. The most blatant example of this occurred around 5 years ago when a leading
London auction house sold 3 teabowls as being by him despite being informed that they weren’t Patrick’s work. More recently a similar teabowl was sold on an internet auction site by someone, who has been dealing in studio pottery for many years and frankly should know better.

 

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